Mostrando las entradas con la etiqueta Música. Mostrar todas las entradas
Mostrando las entradas con la etiqueta Música. Mostrar todas las entradas

viernes, noviembre 09, 2012

T.I.M.E. de viernes (de música): Rod Stewart forever!

Rod Stewart & Amy Belle - I don´t want to talk about it - (Live at The Royal Albert Hall)



Y léanse esto:

"Amy Belle – What a star!

What an incredible story this is.

Amy Belle, was discovered busking on the streets of Glasgow by a friend of Rod Stewart and really soon afterwards was performing with Rod on stage at a “One Night Only” show at London’s Royal Albert Hall. Simply incredible. For those not familiar with U.K. terminology, Busking is the practice of doing live performances in public places to entertain people

I absolutely love this video and have watched it countless times. It gives me goosebumps. Watch this and just try to imagine how her nerves must have felt. God I love this. Amazing sax too! Awesome!

[continua....]
"

Fuente: http://offthehoox.com/2008/03/08/amy-belle-what-a-star/

***
Letra:

Rod Stewart I Don't Want To Talk About It
Danny whitten, 1977

I can tell by your eyes that you've probably been cryin' forever,
And the stars in the sky don't mean nothin' to you, they're a mirror.
I don't want to talk about it, how you broke my heart.
If I stay here just a little bit longer,
If I stay here, won't you listen to my heart, whoa, my heart?
If I stand all alone, will the shadow hide the color of my heart?
Blue for the tears, black for the night's fears.
The stars in the sky don't mean nothin' to you, they're a mirror.
I don't want to talk about it, how you broke my heart.
If I stay here just a little bit longer,
If I stay here, won't you listen to my heart, whoa, my heart?
I don't want to talk about it, how you broke this ol' heart.

If I stay here just a little bit longer,
If I stay here, won't you listen to my heart, whoa, my heart?
My heart, whoa, my heart.

martes, noviembre 06, 2012

T.I.M.E. de música (¡Excepcional!)

El Sr. Leonard Cohen, Anthem (qué deberíamos traducir en este caso por Celebración)



Letra:


The birds they sang
at the break of day
Start again
I heard them say
Don't dwell on what
has passed away
or what is yet to be.
Ah the wars they will
be fought again
The holy dove
She will be caught again
bought and sold
and bought again
the dove is never free.

Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That's how the light gets in.

We asked for signs
the signs were sent:
the birth betrayed
the marriage spent
Yeah the widowhood
of every government --
signs for all to see.

I can't run no more
with that lawless crowd
while the killers in high places
say their prayers out loud.
But they've summoned, they've summoned up
a thundercloud
and they're going to hear from me.

Ring the bells that still can ring ...

You can add up the parts
but you won't have the sum
You can strike up the march,
there is no drum
Every heart, every heart
to love will come
but like a refugee.

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in.

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in.
That's how the light gets in.
That's how the light gets in.

viernes, agosto 10, 2012

T.I.M.E. de música: la "mata", el origen, los creadores: ¡del "tumbao"!



Nadie, ninguna agrupación, nunca más, volverá a sonar así, con semejante "tumbao" :-)

Just un ejemplo:





Y just otro :-)

viernes, agosto 03, 2012

T.I.M.E. de música: Andrés Calamaro



¿Cómo es posible que una letra tan triste suene tan bien? :-)

***

Estoy vencido porque el mundo me hizo así,
no puedo cambiar.
Soy el remedio sin receta y tu amor: mi enfermedad.
Estoy vencido porque el cuerpo de los dos es mi debilidad.
Esta vez el dolor va a terminar.

Parece que la fiesta terminó.
Perdimos en el túnel del amor.
Y dicen las hojas del libro que más leo yo,
esta vez el esclavo se escapó.
Me entrego al vino porque el mundo me hizo así,
no puedo cambiar.
Soy el remedio sin receta y tu amor mi enfermedad.
Estoy vencido porque el cuerpo de los dos es mi debilidad.
Esta vez el dolor va a terminar.

De nuestro árbol una hoja se cayó,
en mi boca la manzana se pudrió.
Tendrías que aprender ¡a pedir perdón!
Esta vez la cadena se rompió.

Tendrías que aprender a pedir perdón,
esta vez la cadena se rompió.

Estoy vencido porque el mundo me hizo así,
no puedo cambiar.
Soy el remedio sin receta y tu amor mi enfermedad.
Estoy vencido porque el cuerpo de los dos es mi debilidad.
Esta vez el dolor va a terminar.

miércoles, junio 20, 2012

T.I.M.E. de música - Roberto Roena (¡Qué grande!)

"...pero al estudiar la situación..." :-)




Sentémonos a pensar,
la vida de continuar
fingiendo amor donde no hay
y fingiendo una sinceridad.

Es cierto se debe admitir
el mundo esta lleno de maldad
pero al estudiar la situación
entraremos en razón.

Coro:
Cuando descanses te hablare
de un algo extraño
y vida mía te diré mi desengaño.

Cuando descanses te hablare
de un algo extraño
y vida mía te diré mi desengaño.
Cuando descanses te hablare
de un algo extraño
y vida mía te diré mi desengaño.
Hay que vivir el momento,
que nos importa el pasado.
no ves que al pasar el tiempo
todito queda olvidado, olvidado es.

Cuando descanses te hablare
de un algo extraño
y vida mía te diré mi desengaño.
Pero recuerdo que dijiste que me querías
que nunca me olvidarías
y ahora vivo convencido
que eso eran mentiras tuyas, mentiras tuyas son.

Cuando descanses te hablare
de un algo extraño
y vida mía te diré mi desengaño.
.......
Cuando descanses te hablare
de un algo extraño
y vida mía te diré mi desengaño.

Y cuando nadie escuche
mis canciones ya viejas
detendré en mi camino en el pueblo de Hatillo
y allí moriré y entonces.
Cuando descanses te hablare
de un algo extraño
y vida mía te diré mi desengaño.

miércoles, mayo 16, 2012

T.I.M.E. de música (las mega-baladas en inglés de los 80 :-) Esto es, Foreigner

Foreigner -- I Want To Know What Love Is (Live - Rockin' at the Ryman 2011)



Gotta take a little time
A little time to think things over
I better read between the lines
In case I need it when I'm older

This mountain I must climb
Feels like a world up on my shoulders
Through the clouds I see love shine
It keeps me warm as life grows coulder

In my life there's been heartache and pain
I don't know if I can face it again
Can't stop now, I've traveled so far
To change this lonely life

[Más Letras en http://es.mp3lyrics.org/qX]
I want to know what love is
I want you to show me
I want to feel what love is
I know you can show me

I'm gonna take a little
A little time to look around me
I've got nowhere left to hide
It looks like love has finally found me

In my life there's been heartache and pain
I don't know if I can face it again
Can't stop now, I've traveled so far
To change this lonely life

I want to know what love is
I want you to show me
I want to feel what love is
I know you can show me


Foreigner -- Waiting For A Girl Like You



So long, I've been looking too hard, I've waiting too long
Sometimes I don't know what I will find
I only know it's a matter of time
When you love someone... When you love someone...
It feels so right, so warm and true, I need to know if you feel it too
(Aaah-aaah) maybe I'm wrong
(Aaah-aaah) won't you tell me if I'm coming on too strong?
(Aaah-aaah) this heart of mine has been hurt before
(Aaah-aaah) this time I wanna be sure
I've been waiting, for a girl like you
(Ooh-ooh-ooh) to come into my life (life)
I've been waiting, for a girl like you
(Waiting for a girl) and a love that will survive

I've been waiting (I've been waiting) for someone new
(New) To make me feel alive, ah-ah
Yeah, waiting for a girl like you (waiting for a girl) to come into my life
(Aaah-aaah... Aaah-aaah...)
[ Lyrics from: http://www.lyricsfreak.com/f/foreigner/waiting+for+a+girl+like+you_20054821.html ]
You're so good, when we make love it's understood
It's more than a touch or a word we say
Only in dreams could it be this way
When you love someone... Yeah, really love someone...
(Aaah-aaah) now I know it's right
(Aaah-aaah) from the moment I wake up till deep in the night
(Aaah-aaah) there's no where on earth that I'd rather be
(Aaah-aaah) than holding you, tenderly

I've been waiting, for a girl like you
(Ooh-ooh-ooh) To come into my life (life)
I've been waiting, for a girl like you
(Waiting for a girl) and a love that will survive
I've been waiting (I've been waiting) for someone new
(New) To make me feel alive, ah-ah
Yeah, waiting (waiting) for a girl like you
(Waiting for a girl) to come into my life

Oooh-oooh, oooh-oooh, I've been waiting
Aaah-aaah, (waiting for you) oooh-oooh, oooh
(Aaah-aaah) oooh-oooh, I've been waiting
(Waiting) I've been waiting, yeah
I've been waiting for a girl like you, I've been waiting
Won't you come into my life? (Life?) My life?
(It's been so long) I've been waiting for a girl like you
I've been waiting, (I've been waiting) oh-oh

martes, abril 17, 2012

T.I.M.E. de música: Rod Stewart - Da Ya Think I'm Sexy? (1978)

Nostalgia de los 80's... cuando la irreverencia aliada de la ingenuidad-cursi aún eran posibles (este comentario acerca del video), y no obstante verse bien :-)

La voz y estilo de canto de este personaje hacen posible toda canción :-)




She sits alone, waiting for suggestions.
He's so nervous, avoiding all the questions.
His lips are dry, her heart is gently pounding.
Don't you just know exactly what they're thinking?

If you want my body and you think I'm sexy,
Come on, sugar, let me know.
If you really need me, just reach out and touch me.
Come on, honey, tell me so.

He's acting shy, looking for an answer.
Come on, honey, let's spend the night together.
Now, hold on a minute before we go much further.
Give me a dime so I can phone my mother.
They catch a cab to his high-rise apartment.
At last he can tell her exactly what his heart meant.

If you want my body and you think I'm sexy,
Come on, sugar, let me know.
If you really need me, just reach out and touch me.
Come on, honey, tell me so.

His heart's beating like a drum,
'Cause at last he's got this girl home.
Relax, baby. Now we're all alone.

They wake at dawn, 'cause all the birds are singing.
Two total strangers, but that ain't what they're thinking.
Outside it's cold, misty, and it's raining.
They got each other. Neither one's complaining.
He says, I'm sorry, but I'm out of milk and coffee.
Never mind, sugar. We can watch the early movie.

If you want my body and you think I'm sexy,
Come on, sugar, let me know.
If you really need me, just reach out and touch me.
Come on, honey, tell me so.



Wikibio:

"Roderick David "Rod" Stewart, CBE (born 10 January 1945) is a British singer-songwriter, born and raised in North London, England, and currently residing in Epping. He is of Scottish and English ancestry.

With his distinctive raspy singing voice, Stewart came to prominence in the late 1960s and early 1970s with The Jeff Beck Group and then Faces. He launched his solo career in 1969 with his debut album An Old Raincoat Won't Ever Let You Down (US: The Rod Stewart Album). His work with The Jeff Beck Group and Faces proved to influence heavy metal genres.

With his career in its fifth decade, Stewart has sold over 100 million records worldwide, making him one of the best selling artists of all time. In the UK, he has garnered six consecutive number one albums, and his tally of 62 hit singles include 31 that reached the top 10, six of which gained the number one position. He has had 16 top ten singles in the U.S, with four of these reaching number one on the Billboard Hot 100. In 2008, Billboard magazine ranked him the 17th most successful artist on the "The Billboard Hot 100 Top All-Time Artists". He was voted at #33 in Q Magazine's list of the top 100 Greatest Singers of all time, and #59 on Rolling Stone 100 Greatest Singers of all time. As a solo artist, Stewart was inducted into the Rock and Roll Hall of Fame in 1994, and will be inducted a second time, as a member of Faces, in April 2012."

***

Y de ñapa este cover espectacular de Angel de Jimi Hendrix :-)

http://youtu.be/xngpn52hUbU (ver aquí)

viernes, abril 13, 2012

T.I.M.E. de cine y música



The Good The Bad and The Ugly - Soundtrack - Track 1



The Good The Bad and The Ugly. Soundtrack "The trio"




The Good, the Bad & the Ugly Finale

Ennio Morricone



"Ennio Morricone (Roma, Italia; 10 de noviembre de 1928), es un compositor italiano de música de cine y bandas sonoras.Su carrera cinematográfica empezó en los años 60; está aún activo, por lo que es uno de los compositores actuales más prolíficos, con unos 500 trabajos en su haber. Es uno de los más conocidos compositores cinematográficos, gracias sobre todo a la música de los "spaghetti western", pero también gracias a las bellas melodías de Días del cielo, La misión o Cinema Paradiso. Ha sido muy criticado por unos y muy aclamado por otros, debido a su atípica música, pero ante todo ha sido valiente integrando instrumentos poco comunes entre las grandes orquestas."

lunes, marzo 12, 2012

"...haciendo un esfuerzo... se puede vivir..." :-) :-) :-)

Piero Antonio Franco de Benedictis

Con la fuerza y la voz de la juventud



Con la fuerza y el temple de (que dan) los años :-)

martes, septiembre 06, 2011

T.I.M.E. de música: el cumpleaños de Freddie Mercury (desde el blog de Google :-)

Aquí la entrada de Google

Extracto introductorio:

"From time to time we invite guests to post about items of interest and are thrilled to have Brian May join us to talk about friend and bandmate Freddie Mercury. Our doodle celebrating Freddie's birthday can be seen around the world on September 5 and, out of respect for Labor Day, in the U.S. on September 6. A guitarist and songwriter, Brian May is a founding member of Queen and wrote many of the band’s hits, including “We Will Rock You,” “The Show Must Go On” and “I Want It All.” Brian is also a respected solo artist and one of the founders of Freddie for a Day (www.freddieforaday.com), an organization helping to fight HIV/AIDS globally. - Ed."

Extracto de cierre:

"Freddie would have been 65 this year, and even though physically he is not here, his presence seems more potent than ever. Freddie made the last person at the back of the furthest stand in a stadium feel that he was connected. He gave people proof that a man could achieve his dreams—made them feel that through him they were overcoming their own shyness, and becoming the powerful figure of their ambitions. And he lived life to the full. He devoured life. He celebrated every minute. And, like a great comet, he left a luminous trail which will sparkle for many a generation to come. Happy birthday Freddie! Posted by Dr. Brian May, CBE. Guitarist."





Love of my life,
You hurt me,
You broken my heart,
Now you leave me

Love of my life can't you see,
Bring it back bring it back,
Don't take it away from me,
Because you don't know what it means to me

Love of my life don't leave me,
You've stolen my love you now desert me,

Love of my life can't you see,
Bring it back bring it back,
Don't take it away from me,
Because you don't know what it means to me

You will remember when this is blown over,
And everything's all by the way,
When I grow older,
I will be there at your side,
To remind how I still love you
I still love you
I still love you

Hurry back hurry back,
Don't take it away from me,
Because you don't know what it means to me

Love of my life,
Love of my life 

viernes, agosto 05, 2011

T.I.M.E. de música: VanVan (de Cuba)



S I M P L E M E N T E: la mejor música bailable del mundo :-)

lunes, agosto 01, 2011

Innovación en la predicción (en el pronóstico)


Aquí el sitio web de la compañía: Epagogix

De su sitio Web:

""EPAGOGUE is the path that leads from experience to knowledge. Examples are particular experiences. Aristotle's 'epagogic' pedagogy is a form of teaching which proceeds from examples to an understanding of causes, as in science, which is always a knowledge of the universal"
Charles Hummel: "Aristotle (384-322 B.C.).""


¿Qué hacen?

Ni más ni menos que explicar (y sugerir porqué) un guión tendrá más éxito que otro de cara a la producción de una película; o si la música de una canción será un 'hit' o no, o cómo 'ajustarla' para que lo sea. Todo ésto desde el análisis matemático y estadístico del pasado: de los éxitos pasados en la sala de cine o en la venta de los CD's (o lo que sea que se venda ahora)

De su sitio Web:

"Epagogix helps studios to identify, enhance and deliver on-screen success, and guides investors in the creation of winning film-related investments.

Epagogix works confidentially with the senior management of major film studios and large independents, assisting with the selection and development of scripts, helping to transform scripts with low Box Office revenue potential into properties that can be profitably produced and distributed, and identifying scripts with a low probability of commercial success.

Epagogix's approach helps management of this most critical financial risk by delivering accurate predictive analysis of the Box Office value of individual film scripts, and by identifying and quantifying how and where to improve their commercial value. If requested, Epagogix sensitively bridges the gap between the financial and creative aspects of film production by providing quantified insights and advice to those responsible for script development.

Hedge Fund and Investment Managers work with Epagogix, determining highly targeted, non market-correlated risk/reward strategies for asset allocation, and developing fund-raising vehicles."


*****

Aquí Malcolm Gladwell reporta y hace la crónica en The New Yorker sobre estos genios.




(más o menos) i m p r e s i o n a n t e (¿no?) :-)

*****

Mi pregunta es: ¿Qué 'tipo de' (linaje de) gerente contrata tales servicios, y qué otro tipo prefiere no hacerlo?

viernes, julio 22, 2011

viernes, julio 01, 2011

T.I.M.E. de música: The Beatles

Los 'inmortales': con lo más inmortal disponible a nosotros los mortales: 'All you need is love'

¿Por qué tantas flores, puestas en toda situación y de todas las formas, alrededor y en los cuerpos, por aquellos años? :-)




Lennon/McCartney

Love, love, love, love, love, love, love, love, love.
There's nothing you can do that can't be done.
Nothing you can sing that can't be sung.
Nothing you can say but you can learn how to play the game
It's easy.
There's nothing you can make that can't be made.
No one you can save that can't be saved.
Nothing you can do but you can learn how to be you
in time - It's easy.

All you need is love, all you need is love,
All you need is love, love, love is all you need.
Love, love, love, love, love, love, love, love, love.
All you need is love, all you need is love,
All you need is love, love, love is all you need.
There's nothing you can know that isn't known.
Nothing you can see that isn't shown.
Nowhere you can be that isn't where you're meant to be.
It's easy.
All you need is love, all you need is love,
All you need is love, love, love is all you need.
All you need is love (all together now)
All you need is love (everybody)
All you need is love, love, love is all you need.

viernes, mayo 13, 2011

T.I.M.E. de música: Jimi Hendrix

La furia más grande posible (en guitarra eléctrica y voz) del universo :-)
¡Extraordinario, sublime, irrepetible!


All Along The Watchtower
Songwriters: Dylan, Bob



"There must be some kinda way out of here"
Said the joker to the thief
"There's too much confusion
I can't get no relief"

"Businessmen, they, they drink my wine
Plowmen dig my earth
None will level on the line
Nobody of it is worth", hey

"No reason to get excited"
The thief, he kindly spoke
"There are many here among us
Who feel that life is but a joke"

"But you and I, we've been through that
And this is not our fate
So let us not talk falsely now
The hour is getting late", hey

Hey

All along the watchtower
Princes kept the view
While all the women came and went
Barefoot servants too

Outside in the cold distance
A wildcat did growl
Two riders were approaching
And the wind began to howl, hey

All along the watchtower
All along the watchtower

viernes, mayo 06, 2011

T.I.M.E. de música: 'Cómodamente entumecido (anestesiado)'

Uno de los más grandes, Pink Floyd: Comfortably Numb, del albúm The Wall
(David Gilmour / Roger Waters)
El video ha sido visto en YouTube la 'friolera' de 24.246.502 :-)




Hello,
Is there anybody in there?
Just nod if you can hear me
Is there anyone at home?

Come on now
I hear you're feeling down
Well, I can ease your pain
And get you on your feet again

Relax
I'll need some information first
Just the basic facts
Can you show me where it hurts

There is no pain, you are receding
A distant ship's smoke on the horizon
You are only coming through in waves
Your lips move but I can't hear what you're saying
When I was a child I had a fever
My hands felt just like two balloons

Now I've got that feeling once again
I can't explain, you would not understand
This is not how I am
I have become comfortably numb

I have become comfortably numb

O.K.
Just a little pin prick
There'll be no more...aaaaaaaah!
But you might feel a little sick
Can you stand up?
I do belive it's working, good
That'll keep you going, through the show
Come on it's time to go.

There is no pain you are receding
A distant ship's smoke on the horizon
You are only coming through in waves
Your lips move, but I can't hear what you're saying
When I was a child
I caught a fleeting glimpse
Out of the corner of my eye
I turned to look but it was gone
I cannot put my finger on it now
The child is grown
The dream is gone
And I have become
Comfortably numb.

Y aquí video de interpretación en vivo del año 2005 :-)

viernes, noviembre 19, 2010

T.I.M.E. de música

Roberto Roena y la Apollo Sound (¡mucha salsa! :-)



Como Te Hago Entender
(Autor: ¿? )
(Canta: Luisito Carrión)

Como te hago entender
que a nadie extraño mas
que nada me hace falta
mas que tu presencia.

Que nada me lastima,
como lo hace tu ausencia
como te hago entender
que a nadie extraño mas.

Como te hago entender
que mi vida sin ti
es solamente tiempo
que pasa sin ti.

Como te hago entender
que me faltas, como el aire,
como el agua, para vivir.
-r-
Como te hago entender
este sabor amargo
sabor de derrota
que crece en mi boca
cuando tu no estas.

Como te hago entender
que se me rompe el alma
y no puedo evitarlo
cuando tu te marchas
cuando no se de ti.

Como te hago entender
que es mas fuerte que yo
que no quise de ti enamorarme.

Como te hago entender
que me faltas, como el aire,
como el agua, para vivir.

Como te hago entender.

Y que mas puedo hacer
para complacerte
con todo lo que te digo
no logro convencerte
te canto esta canción.

Coro:
Como te hago entender, como te hago entender...

Este sabor amargo que crece en mi boca
y se vició de ti que no puedo romper

Que estoy entregado a ti cuerpo entero
y no te logro convencer.

Porque no dejas que bese tus labios
y que mi delirio te embriague de amor.

Quiéreme y verás, que de quererme,
negrita, nunca te arreprentirás.
~
Coro:
Como quieres que te haga entender
-y como quieres, que yo te haga entender-

Si yo te doy lo que pides mi vida,
ternura, y placer, también mucho cariño

Y cuando te vas en la noches
no duermo esperando por ti.
Entra mujer a buscar tu querer. Llega.
~
Quiero saber lo que piensas de mí,
ya no puedo más.

Después que uno vive veinte desengaños
pero que importa uno más
y darse cuenta que todo es mentira

Que nada, nada, nadita es verdad
y por eso te doy mil gracias
la lección me vino al pelo.

lunes, noviembre 08, 2010

T.I.M.E. de música

¡Maravillosa Violeta Parra! (La Jardinera)

viernes, octubre 08, 2010

T.I.M.E. de música

El gran Arsenio Rodríguez



***

By
ramoburg
September 08, 2009

"Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull, Gúira de Macurijes, 31 August 1911 Los Angeles, 31 December 1970)[1][2] was a Cuban musician who played the tres (Cuban guitar), reorganized the conjunto and developed the son montuno, and other Afro-Cuban rhythms in the 1940s and 50s. He claimed to be the true creator of the mambo, and was an important and prolific composer who wrote nearly two hundred song lyrics. Rodrígues was born in Güira de Macurijes in Bolondrón, Matanzas Province as the third of fifteen children, fourteen boys and one girl. As a young child, Rodríguez was blinded when a horse (or a mule) kicked him in the head. Later, he became a musician, and eventually became one of the most renowned bandleaders on the island earning him the nickname El Ciego Maravilloso (the marvellous blind man). His music emphasized Afro-Cuban rhythm as well as the melodic lead of the tres, which he played. In 1936 he played his own compositions with the Sexteto Boston, led by his cousin Jacinto Scull. This disbanded in 1937, and he joined the Septeto Bellamar of cornetist José Interián in 1938. From 1940 to 1947 he led a band in Cuba, Arsenio Rodríguez y su Conjunto. He then went to New York where he hoped to get cured from his blindness but was told that his optic nerves had been completely destroyed. This experience led him to compose the bolero La Vida es un Sueño (Life is a dream). He went on to play with percussionist Chano Pozo and other great musical artists of what became Latin Jazz like Dizzy Gillespie, Tito Puente, and Mario Bauza. Arsenio's bassist and close friend for eight years Alfonso "El Panameno" Joseph as well as other members of Arsenio's band, such as Julian Lianos, who performed with Arsenio at the Palladium Ballroom in New York during the 1960s, have had their legacies documented in a national television production called La Epoca, expected to be released in theaters across the US in September 2008 and in Latin America in 2009. He had much success in the US and migrated there in 1952 one of the reasons being the better pay of musicians."

viernes, septiembre 24, 2010

T.I.M.E. de música (6 minutos - que en música y video, curiosamente - retrataron aquello a lo cual arribamos tras 25 siglos de "empuje" :-)

(Pink Floyd - Another Brick in the Wall)

¿Era pues adónde queríamos - podíamos - debíamos llegar?



You, Yes You, Stand Still Laddie!

When we grew up and went to school, there were certain teachers who would hurt the children anyway they could
by pouring their derision upon anything we did
exposing every weakness however carefully hidden by the kids.

But in the town it was well known that when they got home at night
their fat and psychopathic wives
Would thrash them within inches of their lives!

ooooooooooooo, oooooooo, ooooooooooo, ooooooooo, ooooooooo, ooooooooo,oooo.

We don't need no education
We don’t need no thought control
No dark sarcasm in the classroom
Teachers leave them kids alone
Hey! Teacher! Leave them kids alone!
All in all it's just another brick in the wall.
All in all you're just another brick in the wall.

(A bunch of kids singing) We don't need no education
We don’t need no thought control
No dark sarcasm in the classroom
Teachers leave them kids alone
Hey! Teacher! Leave us kids alone!
All in all it's just another brick in the wall.
All in all you're just another brick in the wall.

Spoken:
"Wrong, Guess again!
Wrong, Guess again!
If you don't eat yer meat, you can't have any pudding.
How can you have any pudding if you don't eat yer meat?
You! Yes, you behind the bikesheds, stand still laddie!"

[Sound of many TV's coming on, all on different channels]
"The Bulls are already out there"
Pink: "Aaaaaaaaaaaaaaaaaaaaaaaarrrrrgh!"
"This Roman Meal bakery thought you'd like to know."

I don't need no arms around me
And I dont need no drugs to calm me.
I have seen the writing on the wall.
Don't think I need anything at all.
No! Don't think I'll need anything at all.
All in all it was all just bricks in the wall.
All in all you were all just bricks in the wall.

***

La voz: "¿De qué "empuje" es que hablas Pizarro?"